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Film fatin shidqia
Film fatin shidqia













film fatin shidqia

Kuntowijoyo, Muslim Tanpa Masjid: Esai-Esai Agama, Budaya, dan Politik dalam Bingkai Strukturalisme Transendental, Bandung: Mizan, 2001. “Klarifikasi Kyai Cholil atas Dukungannya kepada Fatin X Factor”, VOAIslam,, , accessed. Kitiarsa, Pattana, Religious Commodifications in Asia: Marketing Gods, London: Routledge, 2008. by Greg Fealy and Sally White, Singapore: Institute of Southeast Asian Studies, 2008, pp. Howell, Julia Day, “Modulations of Active Piety: Professors and Televangelists as Promoters of Indonesian ‘Sufisme’”, in Expressing Islam: Religious Life and Politics in Indonesia, ed. , Identity and Pleasure: The Politics of Indonesian Screen Culture, Singapore: NUS Press, 2014. (ed.), Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics, London: Routledge, Taylor & Francis Group, 2008. Heryanto, Ariel (ed.), “Pop Culture and Competing Identities”, in Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics, London: Routledge, Taylor & Francis Group, 2008. Hefner, Robert W., Civil Islam: Muslims and Democratization in Indonesia, Princeton: Princeton University Press, 2000. Hasan, Noorhaidi, “The Making of Public Islam: Piety, Agency, and Commodification on the Landscape of the Indonesian Public Sphere”, Contemporary Islam, vol. Hariyadi, “Islamic Popular Culture and the New Identity of Indonesian Muslim Youth”, presented at the 18th Biennial Conference of the Asian Studies Association of Australia, Adelaide, 6/07 2010,, accessed. Hadiyanti, Nanda, “Didukung MUI, Ini Tanggapan Fatin Shidqia”,, ,, accessed. “Fatin Ikut Dongkrak Penjualan Kerudung Rabbani hingga Rp 500 Miliar”,, ,, accessed. ĭarmansyah, “Empat Kali Sudah, Fatin Lupa Lirik Saat Perform”,, ,, accessed. Ĭoutas, Penelope, “Fame, Fortune, Fantasi: Indonesian Idol and the New Celebrity”, Asian Journal of Communication, vol. īurhani, Ahmad Najib, “The Reformasi ’98 and the Arab Spring: A Comparative Study of Popular Uprisings in Indonesia and Tunisia”, Asian Politics & Policy, vol. by Michele Ford and Tom Pepinsky, Ithaca: Cornell Southeast Asia Program Publications, 2014, pp. īuehler, Michael, “Elite Competition and Changing State-Society Relations: Shari’a Policymaking in Indonesia”, in Beyond Oligarchy: Wealth, Power, and Contemporary Indonesian Politics, ed. īarendreg, Bart, “The Art of No-Seduction: Muslim Boy-Band Music in Southeast Asia and The Fear of The Female Voice”, IIAS Newslette, 2006,, accessed. Inside Indonesia 93”, INS Insideindonesia, 2008,, accessed. Whatever they consume in terms of popular culture is intrinsic to the creation of their hybrid identities, as both Indonesian muslims and global citizens.Īmrih, Widodo, “Writing for God: Piety and Consumption in Popular Islam. In addition, the presence of Fatin is a symbol of young Indonesian muslims who already connect globally. This paper argues that the presence of Islamic popular culture in Indonesia through books, novels, films, as well as fashion, show that Indonesian Islam and muslims are compatible not only with democracy but also with global popular culture. This paper intends to study the presence of Fatin Sidqiah as the winner of Indonesian X Factor and the response of Indonesian muslims regarding Islamic popular culture in Indonesia. In contrast, in the context of Indonesian Muslims, the Indonesian Ulama Council’s (Majelis Ulama Indonesia, MUI) showed support for Fatin Shidqia Lubis to the singing contest of Indonesian X Factor, 2013. These media are therefore often seen as a threat to the identities of nationalities, local cultures, and religious groups. Compatible with Dragon or Monkey.Television, music videos, films, and pop bands are all part of global popular culture and thought to be the product of “the west”. Motivated by money, can be greedy, is ever curious, seeks knowledge and welcomes challenges. They have excellent taste, are a good friend and are generous and loyal to others considered part of its pack. Those born under the Chinese Zodiac sign of the Rat are quick-witted, clever, charming, sharp and funny. Self-confident and attractive, this is a Sun sign capable of uniting different groups of people and leading them as one towards a shared cause, and their healthy sense of humor makes collaboration with other people even easier.įatin Shidqia was born in the Year of the Rat. Leo often has many friends for they are generous and loyal. There is a specific strength to a Leo and their "king of the jungle" status.

film fatin shidqia

They are dramatic, creative, self-confident, dominant and extremely difficult to resist, able to achieve anything they want to in any area of life they commit to. According to astrologers, people born under the sign of Leo are natural born leaders.















Film fatin shidqia